Museology, History of Art Criticism and Methodologies of History of Art - RICERCA STORICO-ARTISTICA (M) (2012/2013)

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Course code
4S000935
Name of lecturer
Enrico Dal Pozzolo
Number of ECTS credits allocated
6
Academic sector
L-ART/04 - MUSEOLOGY, ART AND RESTORATION CRITICISM
Language of instruction
Italian
Location
VERONA
Period
Semestrino IIA dal Feb 25, 2013 al Apr 20, 2013.

To show the organization of the course that includes this module, follow this link * Course organization

Lesson timetable

Learning outcomes

This course will give a general introduction to the main historical-artistic research methods of the XX century, with a brief theoretical framing and study of exemplar cases.

Syllabus

Contents of the Course. The course is divided in two parts. The first part will give a general introduction to the main methodologies of The History of Art from the end of the 1800s to the present. Specifically, the application of documentary research, attribution, and the historical, contextual and literary connections will be analyzed. The second part of the course will examine some profane themes that can be recognized in the production of various Venetian painters in the XVI century.

Bibliography: G. Sciolla, Studiare l’arte. Appunti sul metodo storico-artistico, Utet, Torino, 2001; F. Zeri, Due dipinti, la filologia e un nome. Il Maestro delle Tavole Barberini, Tea, Milano, 1995; M. Baxandall, Pittura ed esperienze sociali nell’Italia del Quattrocento. Edizione italiana a cura di M.P. e P. Dragone, Einaudi, 2001; P. Burke, Testimoni oculari. Il significato storico delle immagini, Carocci, Firenze, 2002; L. Puppi, Per Tiziano, Skira, 2004; G. Pozzi, Sull’orlo del visibile parlare, Adelphi, 1993, chapters 4. 8. 9. (Il ritratto della donna nella poesia d’inizio Cinquecento e la pittura di Giorgione, Tulipani e passiflore, Imprese di Crusca: pp. 145-171, 329-370). E.M. Dal Pozzolo, Colori d’amore. Parole, gesti e carezze nella pittura veneziana del Cinquecento, Canova, Treviso, 2008.

Teaching Methods: In-class PowerPoint lectures; seminar labs with image-reading exercises.

Assessment methods and criteria

Written and oral examination.

Attention: This course is not to be separated from Prof. B Aikema’s course, Iconography and Iconology.

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