Alessandra Zamperini

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Ale_Zamperini, December 9, 2010
Position
Associate Professor
Sections
Arti e Geografie
Academic sector
ARTE-01/B - History of Modern Art
Research sector (ERC-2024)
SH8_5 - History of art and of architecture

Research sector (ERC)
SH5_6 - History of art and architecture

Office
Palazzo di Lettere Nuovo,  Floor 3,  Room 3.08
Telephone
0458028685
E-mail
alessandra|zamperini*univr|it <== Replace | with . and * with @ to have the right email address.

Office Hours

Tuesday, Hours 11:00 AM - 1:00 PM,   Palazzo di Lettere Nuovo, Floor 3, room 3.08

Curriculum

Associate professor of History of Modern Art, Alessandra Zamperini teaches Introduction to Art History, History of Venetian Art, Geography and Art History, History of Fashion. Her interests include iconography; patronage; history of fashion; art in Venice and Veneto from the XVth to the XVIth century; the recovery of antiquity in the modern art; gender issues connected with iconography and fashion.

Modules

Modules running in the period selected: 75.
Click on the module to see the timetable and course details.

Course Name Total credits Online Teacher credits Modules offered by this teacher
Master's degree in History of the Arts History of European Art Cultures (2025/2026)   6    6 
Bachelor’s degree in Communication Studies History of Fashion (i) (2025/2026)   6    6 
Master's degree in History of the Arts Iconography of Fashion (2025/2026)   6    6 
Bachelor’s degree in Cultural Heritage Introduction to Art History (2025/2026)   6    6 
Bachelor’s degree in Cultural Heritage Cignaroli Tuesdays (2024/2025)   1  eLearning 1 
Master's degree in History of the Arts Conference Civici Museum Verona (2024/2025)   2  eLearning 2 
PERCORSO 60 CFU CLASSE A001 Cultural Heritage Education (2024/2025)   3  eLearning 1  (B)
Master's degree in History of the Arts History of European Art Cultures (2024/2025)   6  eLearning 6 
Bachelor’s degree in Communication Studies History of Fashion (i) (2024/2025)   6  eLearning 6 
Master's degree in History of the Arts Iconography of Fashion (2024/2025)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Introduction to Art History (2024/2025)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Stories and protagonists in Palazzo Miniscalchi (2024/2025)   1  eLearning 1 
Ph. D. programme in Archaeology, Art History and History Worlds of Fashion: Themes and Actors (2024/2025)   4  eLearning 4 
Bachelor’s degree in Communication Studies Worlds of Fashion: Themes and Actors (2024/2025)   2  eLearning 2 
Master's degree in History of the Arts Conference Civici Museum Verona (2023/2024)   2  eLearning 2 
Master's degree in History of the Arts History of European Art Cultures (2023/2024)   6  eLearning 6 
Bachelor’s degree in Communication Studies History of Fashion (i) (2023/2024)   6  eLearning 6 
Master's degree in History of the Arts Iconography of Fashion (2023/2024)   6  eLearning 6 
Ph. D. programme in Archaeology, Art History and History Identity, power, and gender through clothing (2023/2024)   5  eLearning 5 
Bachelor’s degree in Cultural Heritage Identity, power, and gender through clothing (2023/2024)   1  eLearning 1 
Master's degree in History of the Arts Illustrated Verona: the future of a cultural heritage. Balance sheets, perspectives and role of studies on the territory (2023/2024)   1  eLearning 1 
Bachelor’s degree in Cultural Heritage Introduction to Art History (2023/2024)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Stories and protagonists in Palazzo Miniscalchi (2023/2024)   1  eLearning 1 
Ph. D. programme in Archaeology, Art History and History Worlds of Fashion: Themes and Actors (2023/2024)   4  eLearning 4 
Bachelor’s degree in Cultural Heritage Worlds of Fashion: Themes and Actors (2023/2024)   2  eLearning 2 
Master's degree in History of the Arts Conference Civici Museum Verona (2022/2023)   2  eLearning  
Master's degree in Arts (interuniversity) Geography and History of Art (2022/2023)   6  eLearning 6 
Bachelor’s degree in Communication Studies History of Fashion (i) (2022/2023)   6  eLearning 6 
Master's degree in Arts (interuniversity) History of Venetian Art (m) (2022/2023)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Introduction to Art History (2022/2023)   6  eLearning 6 
Master's degree in History of the Arts The house of Erizzo and the image of aristrocracy in Venice (2022/2023)   1  eLearning  
Bachelor’s degree in Cultural Heritage The house of Erizzo and the image of aristrocracy in Venice (2022/2023)   1  eLearning 1 
Bachelor’s degree in Communication Studies Worlds of Fashion: Themes and Actors (2022/2023)   2  eLearning 2 
Master's degree in History of the Arts Worlds of Fashion: Themes and Actors (2022/2023)   2  eLearning  
Master's degree in Arts (interuniversity) Geography and History of Art (2021/2022)   6  eLearning 6 
Bachelor’s degree in Communication Studies History of Fashion (i) (2021/2022)   6  eLearning 6 
Master's degree in Arts (interuniversity) History of Venetian Art (m) (2021/2022)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Introduction to Art History (2021/2022)   6  eLearning 6 
Bachelor’s degree in Communication Studies Worlds of Fashion: Themes and Actors (2021/2022)   2  eLearning 2 
Bachelor’s degree in Cultural Heritage Castelvecchio Lectures (City Art Museums) (2020/2021)   2  eLearning 2 
Bachelor’s degree in Cultural Heritage C.T.G. Lectures (2020/2021)   3  eLearning 3 
Master's degree in Arts (interuniversity) Geography and History of Art (2020/2021)   6  eLearning 6 
Master's degree in Arts (interuniversity) History of Venetian Art (m) (2020/2021)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. (2020/2021)   3  eLearning 3 
Bachelor’s degree in Cultural Heritage Introduction to Art History (2020/2021)   6  eLearning 6 
Master's degree in Arts (interuniversity) C.T.G. Lectures (2019/2020)   3  eLearning 3 
Bachelor’s degree in Cultural Heritage C.T.G. Lectures (2019/2020)   3  eLearning 3 
Master's degree in Arts (interuniversity) Geography and History of Art (2019/2020)   6  eLearning 6 
Master's degree in Arts (interuniversity) History of Venetian Art (m) (2019/2020)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. (2019/2020)   3  eLearning 3 
Bachelor’s degree in Cultural Heritage Introduction to Art History (2019/2020)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Castelvecchio Lectures (City Art Museums) (2018/2019)   2  eLearning 2 
Bachelor’s degree in Cultural Heritage C.T.G. Lectures (2018/2019)   3  eLearning 3 
Master's degree in Arts (interuniversity) History of Venetian Art (m) (2018/2019)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. (2018/2019)   3  eLearning 3 
Bachelor’s degree in Cultural Heritage Introduction to Art History (2018/2019)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Castelvecchio Lectures (City Art Museums) (2017/2018)   2  eLearning 2 
Bachelor’s degree in Cultural Heritage C.T.G. Lectures (2017/2018)   3  eLearning 3 
Master's degree in Arts (interuniversity) History of Venetian Art (m) (2017/2018)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Iconography of Female Fashion. The Social Meaning of Clothes through Visual Arts, from the Renaissance to the 17th Century. (2017/2018)   3  eLearning 3 
Bachelor’s degree in Cultural Heritage Introduction to Art History (2017/2018)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage San Rocco lectures (Quinzano) (2017/2018)   2  eLearning 2 
Bachelor’s degree in Cultural Heritage Castelvecchio Lectures (City Art Museums) (2016/2017)   2  eLearning 2 
Bachelor’s degree in Cultural Heritage C.T.G. Lectures (2016/2017)   3  eLearning 3 
Master's degree in Arts (interuniversity) History of Venetian Art (m) (2016/2017)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Introduction to Art History (2016/2017)   6  eLearning 6 
Bachelor’s degree in Cultural Heritage Representation and Meaning in the Female Fashion between Renaissance and Baroque (2016/2017)   3  eLearning 3 
Bachelor’s degree in Cultural Heritage San Rocco lectures (Quinzano) (2016/2017)   2  eLearning 2 
Postgraduate Degree in Art Studies History of Venetian Art (m) (2015/2016)   6    6 
Postgraduate Degree in Art Studies History of Venetian Art (m) (2014/2015)   6    6 
Postgraduate Degree in Art Studies History of Venetian Art (m) (2013/2014)   6    6 
Bachelor’s degree in Cultural Heritage Museology and history of Venetian art (2012/2013)   12    6  STORIA DELL'ARTE VENETA (P) II MODULO
Bachelor’s degree in Cultural Heritage History of art criticism and restoration (2011/2012)   12    6  STORIA DELLA CRITICA D'ARTE (I) I MODULO
Bachelor’s degree in Cultural Heritage Museology and history of Venetian art (2010/2011)   12    6  STORIA DELL'ARTE VENETA (P) II MODULO
Master's degree in Fine Arts and Archaeology History of art techniques and restauration (m) (2009/2010)   6    3 

Di seguito sono elencati gli eventi e gli insegnamenti di Terza Missione collegati al docente:

  • Eventi di Terza Missione: eventi di Public Engagement e Formazione Continua.
  • Insegnamenti di Terza Missione: insegnamenti che fanno parte di Corsi di Studio come Corsi di formazione continua, Corsi di perfezionamento e aggiornamento professionale, Corsi di perfezionamento, Master e Scuole di specializzazione.

Research groups

Representation and meaning of female Fashion between Renaissance and Baroque.
The research group is composed of two Professors of Art History (Medieval and Modern Art), a Professor of Modern History, a Ph. D Student from the University of Pisa, two Professors from the University of Richmond, a technician from the Department Cultures and Civilizations. Their common interest is focused on History of Fashion and History of Women investigated through iconographic, literary and social analysis.
Rubens svelato
Il gruppo di ricerca in collaborazione con il Complesso Museale Palazzo Ducale di Mantova si occupa dello studio della grande pala con la Famglia Gonzaga in adorazione della Trinità, il capolavoro italiano di Rubens dipinto nel 1605, che venne tagliato in più parti in età napoleonica. Il progetto prevede una ricognizione delle fonti archivistiche inedite relative alla pala e un approfondimento diagnostico tramite tecniche di indagine non invasive attraverso la strumentazione del centro LANIAC. Oggetto dello studio saranno la pala e i frammenti della medesima, nonchè il bozzetto con il Martirio di Sant'Orsola dello stesso artista. I risultati delle indagini verranno presentati nel corso di una giornata di studi in programma presso Palazzo Ducale per il 12 ottobre 2016; in tale occasione verranno esposti anche ulteriori contributi che consentirano di ricostruire nel dettaglio le molte problematiche storiche e conservative della pala. Al convegno seguirà la pubblicazione di un volume di atti e la presentazione del medesimo.
Sanctuaries in the Veneto region
The members of the team are proceeding to the detailed census of the Christian sanctuaries in the Veneto region, from the Hight Middle Ages to the contemporary age, with site inspections, and detailed bibliographic and archives research.
Research interests
Topic Description Research area
Iconography of Fashion The project's aim is to analyse peculiar fashion features, such us clothing, accessories, hairstyles, with the support of disciplines such as Modern History, History of Women, Literature, in order to improve the knowledge of the material world reproduced in visual arts and provide additional elements implementing iconograpic interpretations. History of art
History of art and architecture
Iconography of Queenship The project focuses on queens , in order to evaluate how their iconographic features have evolved in time according to their peculiar juridical position (consorts or ruling suo iure). In this view, iconographic attributes and the mode in which queens are represented , especially in portraiture (paintings, statues, prints), will be considered. History of art
History of art and architecture
Iconography of Power The topic analyses modes, types, cultural and social contexts in which political values and propaganda are expressed in works of art, with particular attention to painting. The main research field focuses on the Venetian context in modern times, but other cases may be considered, should they be useful (by analogy or by contrast) in improving the knwoledge of this theme. History of art
History of art and architecture
History of Modern art Study of the main artistic phenomena in modern times, specifically as far as iconography, iconology, and patronage are concerned, with the aim of connecting art history to the cultural, social and political contexts in which works of art has come to life. History of art
History of art and architecture
History of Venetian art Art history of the Veneto region, with particular regard to painting, from the XVth to the XVIIIth century. The main privileged aspects considered concern iconography, iconology, patronage, and their relation to other fields, such as literature, philosophy and cultural history. History of art
History of art and architecture
History of women The topic focus on the space women have occupied in modern art history and the modes in which they have been depicted. A particular key role is assigned to potraiture, in regard to types of and reasons for being depicted, iconographic attributes and patronage. History of art
History of art and architecture
Projects
Title Starting date
La torre e il palazzo abbaziale di San Zeno a Verona 1/27/24
La rappresentazione e il significato della moda femminile tra rinascimento e barocco (continuazione) 2/1/21
Giulio Romano e gli esordi della Commedia dell’Arte (1524-1568) 2/1/19
La rappresentazione e il significato della moda femminile tra rinascimento e barocco 6/20/18
Detached Frescoes: restoration and conservation 1/15/18
Rubens svelato 1/1/16
Il ruolo delle élites nella committenza veronese rinascimentale 1/1/12
Le Vite dei pittori veronesi di Giorgio Vasari. Un'edizione critica 1/1/11
La Libreria Sagramoso a San Bernardino: storia, conservazione e tecniche 1/1/10
Progetti architettonici e pittura celebrativa: iconografia e committenza nei palazzi urbani veronesi del XIX secolo 12/1/09
Il ritratto e l’élite: il volto del potere 5/11/09
Per l'iconografia funeraria barocca: dal memento mori al trionfo della morte nella produzione veronese del Seicento 1/1/08
Per il Settecento a Verona: notizie di pittura, scultura e architettura dalle Memorie di Belle Arti [...] postillate dal celebre professore Saverio dalla Rosa nell’anno 1808, ms. 1426 della Biblioteca Civica di Verona 10/1/07
Centro di ricerca e analisi non invasive su opere d’arte antica, moderna e contemporanea 6/1/06
La decorazione a fresco dei palazzi urbani nel Cinquecento: funzione, modelli e riferimento 10/1/05
La decorazione a fresco dei palazzi urbani nel Cinquecento: funzione, modelli e riferimento (continuazione, anno 2005) 10/1/05
Pittura dell'Ottocento a Verona 6/1/04



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