Alberto Scandola

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alberto, October 24, 2019
Position
Associate Professor
Sections
Arti e Geografie
Academic sector
L-ART/06 - CINEMA, PHOTOGRAPHY AND TELEVISION
Research sector (ERC)
SH5_4 - Visual and performing arts, design, arts-based research

Office
Polo Didattico Zanotto,  Floor 2,  Room 2.06
Telephone
045.8028586
E-mail
alberto|scandola*univr|it <== Replace | with . and * with @ to have the right email address.
Personal web page
https://univr.academia.edu/AlbertoScandola

Office Hours

Tuesday, Hours 2:00 PM - 4:00 PM,  

Curriculum

Alberto Scandola received his academic education at the University of Padua and at the University of Paris 3. He teached Film Analysis at the University of Nice (2001-2003) and History of Film at the University of Padua (2003-2004).  He's co-director of editorial series "Actors Studio" (Edizioni Kaplan) and deputy director of LIMEN (Center for Interdisciplinary Research on the Fantastic in Performing Arts, University of Verona). His research interests are centered on Performing Studies, Star Studies, Contemporary Italian cinema and French author cinema. He published seven books and his essays and articles have appeared in «La Valle dell'Eden», «Fata Morgana», «Bianco e Nero», «Acting Archives Review», among other publications.  

Modules

Modules running in the period selected: 52.
Click on the module to see the timetable and course details.

Course Name Total credits Online Teacher credits Modules offered by this teacher
Ph.D. in Philology, Literature, and Performance Studies Doctoral lessons (2023/2024)   10.5    0.5 
Master’s degree in Tradition and Interpretation of Literary Texts Analysis of films (m) (2022/2023)   6  eLearning 6 
Bachelor’s degree in Communication Studies Cinema and audiovisual communication (2022/2023)   6  eLearning 6 
Master’s degree in Publishing and Journalism Cinema and audiovisual media (m) (2022/2023)   12  eLearning 2  TEORIE DEL CINEMA E DEI MEDIA (M)
Bachelor’s degree in Humanities History and Criticism of the Cinema (i) (2022/2023)   6  eLearning 6 
Master’s degree in Tradition and Interpretation of Literary Texts Analysis of films (m) (2021/2022)   6  eLearning 6 
Bachelor’s degree in Communication Studies Cinema and audiovisual communication (2021/2022)   6  eLearning 6 
Master’s degree in Publishing and Journalism Cinema and audiovisual media (m) (2021/2022)   12  eLearning 2  TEORIE DEL CINEMA E DEI MEDIA (M)
Bachelor’s degree in Humanities EARTH CALLS PASOLINI. The documentaries of Pier Paolo Pasolini on the occasion of the centenary of the director's birth (Bridge Film Festival) (2021/2022)   1    1 
Bachelor’s degree in Humanities History and Criticism of the Cinema (i) (2021/2022)   6  eLearning 6 
Master’s degree in Tradition and Interpretation of Literary Texts Analysis of films (m) (2020/2021)   6  eLearning 6 
Bachelor’s degree in Communication Studies Cinema and audiovisual communication (2020/2021)   6  eLearning 6 
Master’s degree in Publishing and Journalism Cinema and audiovisual media (m) (2020/2021)   12  eLearning 2  TEORIE DEL CINEMA E DEI MEDIA (M)
Bachelor’s degree in Humanities History and Criticism of the Cinema (i) (2020/2021)   6  eLearning 6 
Master’s degree in Tradition and Interpretation of Literary Texts Analysis of films (m) (2019/2020)   6    6 
Bachelor’s degree in Humanities History and Criticism of the Cinema (i) (2019/2020)   6  eLearning 6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2019/2020)   6  eLearning 6 
Master’s degree in Tradition and Interpretation of Literary Texts Analysis of films (m) (2018/2019)   6    6 
Bachelor’s degree in Humanities History and Criticism of the Cinema (i) (2018/2019)   6  eLearning 6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2018/2019)   6  eLearning 6 
Master’s degree in Tradition and Interpretation of Literary Texts Analysis of films (m) (2017/2018)   6  eLearning 6 
Ph.D. in Philology, Literature, and Performance Studies Doctoral lessons (2017/2018)   10    1 
Bachelor’s degree in Humanities History and Criticism of the Cinema (i) (2017/2018)   6  eLearning 6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2017/2018)   6  eLearning 6 
Master’s degree in Tradition and Interpretation of Literary Texts Analysis of films (m) (2016/2017)   6    6 
Bachelor’s degree in Humanities History and Criticism of the Cinema (i) (2016/2017)   6    6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2016/2017)   6    6 
Master’s degree in Tradition and Interpretation of Literary Texts Cinema History and Criticism (m) (2015/2016)   6    6 
Bachelor’s degree in Humanities History and Criticism of the Cinema (i) (2015/2016)   6    6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2015/2016)   6    6 
Master’s degree in Tradition and Interpretation of Literary Texts Cinema History and Criticism (m) (2014/2015)   6    6 
Bachelor’s degree in Humanities History and Criticism of the Cinema LT (i) (2014/2015)   6    6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2014/2015)   6    6 
Bachelor's degree in Foreign Languages and Literatures History and criticism of cinema (2013/2014)   6    6 
Bachelor’s degree in Humanities History and Criticism of the Cinema LT (i) (2013/2014)   6    6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2013/2014)   6    6 
Bachelor’s degree in Humanities History and Criticism of the Cinema LT (i) (2012/2013)   6    6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2012/2013)   6    6 
Bachelor’s degree in Humanities History and Criticism of the Cinema LT (i) (2011/2012)   6    6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2011/2012)   6    6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2010/2011)   6    6 
Bachelor’s degree in Humanities History and Criticism of the Cinema LT (i) (2009/2010)   6    6 
Bachelor’s degree in Communication Studies History and Criticism of the Cinema SC (i) (2009/2010)   6    6 
Degree in Communication Science: publishing and journalism History and Criticism of the Cinema (i) (2008/2009)   6    6 
Bachelor’s degree in Humanities History and Criticism of the Cinema LT (i) (2008/2009)   6    6 
Degree in Arts and HUmanities History and Criticism of the Cinema (i) (2007/2008)   6    6 
Degree in Communication Science: publishing and journalism History and Criticism of the Cinema (i) (2007/2008)   6    6 
Degree in Communication Science: publishing and journalism History and Criticism of the Cinema (i) (2006/2007)   6    6 
Degree in Communication Science: publishing and journalism History and Criticism of the Cinema (i) (2005/2006)   6    6 
Degree in Communication Science: publishing and journalism History and Criticism of the Cinema (i) (2004/2005)   6     
Degree in Communication Science: publishing and journalism History and Criticism of the Cinema (i) SC (2003/2004)   6     
Degree in Communication Science: publishing and journalism History and Criticism of the Cinema (i) [Cognomi L-Z] (2002/2003)   6     

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Research groups

Studies in french cinema
The research group "STUDIES ON THE FRENCH CINEMA" aims to investigate the forms, aspects and characteristics of French film production from the 1920s to the present day. The focus of the research group is not only the cinema of author, but also the question of acting and above all the dynamics of exchange between cinema and literature.
Research interests
Topic Description Research area
Star and Performance studies In 2005 I started to investigate the dynamics of the director's work with the actors. I have published essays and articles on Ornella Muti and on the direction of the actors in the cinema of Marco Bellocchio, Bernardo Bertolucci, Luigi Comencini and Alberto Lattuada. I edited a collective volume on the actors of contemporary Hollywood cinema and the Italian edition of the book by Jacqueline Nacache L'acteur de cinéma. Visual, musical and performing arts
Visual and performing arts, design, arts-based research
Modern auteur filmakers During my career I studied some of the most important modern filmmakers: Roman Polanski, Ingmar Bergman, Jean-Luc Godard, Marco Ferreri and others Visual, musical and performing arts
Visual and performing arts, design, arts-based research
Contemporary French cinema My latest research concerns contemporary French cinema, with particular attention to auteur cinema (Bruno Dumont) and the question of the actor (Isabelle Huppert, Gérard Depardieu). Visual, musical and performing arts
Visual and performing arts, design, arts-based research
Contemporary Italian cinema I have published essays on authors and actors of contemporary Italian cinema, including Stefano Accorsi, Filippo Timi, Matteo Garrone and Alina Marazzi Visual, musical and performing arts
Visual and performing arts, design, arts-based research
Projects
Title Starting date
L'attore nel cinema della modernità 3/1/15
Il nuovo cinema francese 9/1/14



Organisation

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