Modules running in the period selected: 42.
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Name | Online |
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b. Prof. Gabriele Rigola (Università di Genova) - Ugo Tognazzi: cinema, cultura e società italiana (curr. Spettacolo) (34° ciclo - Ph.D. programme in Philology, Literature, and Performance Studies) | |
d. Prof. Daniele Dottorini (Università della Calabria) - La passione del reale. Pratiche del documentario contemporaneo (curr. Spettacolo) (34° ciclo - Ph.D. programme in Philology, Literature, and Performance Studies) |
Topic | Description | Research area |
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Star and Performance studies | In 2005 I started to investigate the dynamics of the director's work with the actors. I have published essays and articles on Ornella Muti and on the direction of the actors in the cinema of Marco Bellocchio, Bernardo Bertolucci, Luigi Comencini and Alberto Lattuada. I edited a collective volume on the actors of contemporary Hollywood cinema and the Italian edition of the book by Jacqueline Nacache L'acteur de cinéma. |
Visual, musical and performing arts
Visual and performing arts, design, arts-based research |
Modern auteur filmakers | During my career I studied some of the most important modern filmmakers: Roman Polanski, Ingmar Bergman, Jean-Luc Godard, Marco Ferreri and others |
Visual, musical and performing arts
Visual and performing arts, design, arts-based research |
Contemporary French cinema | My latest research concerns contemporary French cinema, with particular attention to auteur cinema (Bruno Dumont) and the question of the actor (Isabelle Huppert, Gérard Depardieu). |
Visual, musical and performing arts
Visual and performing arts, design, arts-based research |
Contemporary Italian cinema | I have published essays on authors and actors of contemporary Italian cinema, including Stefano Accorsi, Filippo Timi, Matteo Garrone and Alina Marazzi |
Visual, musical and performing arts
Visual and performing arts, design, arts-based research |
Title | Starting date |
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L'attore nel cinema della modernità | 3/1/15 |
Il nuovo cinema francese | 9/1/14 |